Monday, December 26, 2011

Nikon D3000 with Tamron A17 70-300 MM Lens FULL HD REVIEW (MUST SEE).flv

NikonD3000 with Tamron A17 70-300 MM Lens FULL HD REVIEW (MUST SEE). High quality details. Nikon D3000. How to make you starter DSLR camera very professional. Cheap DSLR lens and Body but gre8t Results

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Friday, December 2, 2011

Canon EF-S 55-250mm f/4-5.6 IS Image Stabilizer Telephoto Zoom Lens - Grey Market non US Product

!±8± Canon EF-S 55-250mm f/4-5.6 IS Image Stabilizer Telephoto Zoom Lens - Grey Market non US Product

Brand : Canon | Rate : | Price : $191.99
Post Date : Dec 03, 2011 02:28:23 | Usually ships in 1-2 business days

Canon EF-S 55-250mm f/4-5.6 IS Telephoto Zoom Lens

  • Focal Length & Maximum Aperture: 55-250mm F/4-5.6
  • 12 Elements In 10 Groups, Including One UD-glass Element
  • Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
  • Closest Focusing Distance: 3.6 Ft./1.1m
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Tuesday, November 22, 2011

Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens for Sony Alpha Digital SLR Camera

!±8±Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens for Sony Alpha Digital SLR Camera

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Tuesday, October 18, 2011

Wildlife Photography Using a Digital Camera

!±8± Wildlife Photography Using a Digital Camera

Its quite interesting to see the adventurers who shoot the panoramic views of large mountains and exuberant wildlife photos. We often come across different shows in the renowned channels like National Geographic, Discovery and Animal Planet etc. We see highly sophisticated cameras in their hands to shoot the ebullient moves and shots of the wildlife. Unlike conventional digital photography which is widely suited for most of the general purposes, wildlife photography is something very special and needs specialty cameras that have high end features. Gone are the days when the naturalist relied on cumbersome flash photography which laid many barriers for wildlife photography. With the advent of new breeds from digital camera manufacturers, wildlife photography has now become one of the interesting and fascinating trends, not only for naturalists, but also for many travelers and nomads.

Digital cameras that are specially crafted for wildlife photography have many high end technologies and sophisticated accessories. As a general fact, wildlife photography involves long shots and pulchritudinous zooming. During the past, the digital cameras were sported with genuine telephoto lenses which are quiet expensive. But, nowadays, you can get cameras with high quality lens at an affordable cost. As a matter of fact, one normally shoots the subject, say a herd of elephants that could be a few yards away. Before successful shot, one has to look through his binoculars to get a clear angle. This is sort of a laborious process. But, cameras of recent times have built in binoculars as well. This could be a boon for long shot photography. Zooming is one of the important things for wildlife photography. Certain camera offers 10x optical zoom. Technically speaking, the cameras' maximum magnification can be extended with the help of external lenses. This is one of the remarkable features of digital cameras.

Some basic features required for wildlife photography are as follows:

Choose maximum Zoom

Choose a camera that has exhaustive zooming features as their integral part. This can help you out to capture distant objects with seamless quality. You can stack additional lenses to increase the focal length.

Aperture Size and Shutter speed

Make sure about the aperture size and shutter speed. Faster the shutter speed better the dynamic images. Give high priority to shutter speed as it plays a major role in capturing consecutive shots. It minimizes shakes as well. Wide aperture size allows fantabulous images under dim lighting conditions. It is usually suggested to have aperture size around F3.5. Lot of cutting edge technologies like Image stabilization techniques allows high quality images.

Lens size

F3.7 lens is usually recommended for wildlife photography as it offers excellent results. The long focal length allows you to capture distant images with fine precision. It has a faster shutter speed as well. Normally Lenses with exceeding focal lengths are referred as Extreme-telephoto lens. High definition digital cameras incorporate extreme telephoto lens.

Important accessories to be carried

Obviously, tripod is an inevitable accessory for every photographer. A normal tripod weighs 5lbs. Though it's quiet difficult to be carried with, yet it will be your biggest boon for wildlife photography and especially when you wait for the best shot. Normally wildlife photographers opt for ball heads tripod while landscape photographers prefer 3-way head.

Best choice camera.

As a general fact digital SLR cameras make a perfect choice for most of the wildlife photographers. This kind of cameras offer removable lens features. So, you can add additional lenses for maximum focal length. Another major advantage of digital SLR cameras is its cool viewfinder option. You can preview your shots instantly. They have auto focus and exhaustive user modes as well.

An in depth analysis about the wildlife photography will bolster your photographic skills effectively. But, it takes lot of time to ace your wildlife photography. As the adage says, practice makes a man perfect. So, it needs lot of practice to become a pro in wildlife photography.


Wildlife Photography Using a Digital Camera

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Friday, October 7, 2011

Wallmonkeys Peel and Stick Wall Decals - Professional Dslr Camera with Telephoto Zoom Lens - 36"H x 26"W Removable Graphic

!±8± Wallmonkeys Peel and Stick Wall Decals - Professional Dslr Camera with Telephoto Zoom Lens - 36"H x 26"W Removable Graphic

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Thursday, September 29, 2011

Phoenix P09560 Telephoto Zoom Lens 100-300mm F:5.6-6.7 Canon EOS

!±8± Phoenix P09560 Telephoto Zoom Lens 100-300mm F:5.6-6.7 Canon EOS


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Monday, September 19, 2011

Nature big picture - Choosing the right lens for your digital SLR photography bird

!±8± Nature big picture - Choosing the right lens for your digital SLR photography bird

Get exactly the right lens for every type of photography can not in your budget, for which you want to choose the lenses you buy wisely. There are many different types of objectives that may qualify as a bird photography lens for your digital camera, and there are many who "apparently" can refer to the bill, but do not meet your expectations.

If the price does not matter to you, then just go ahead and get the $ 5,000 - $ 8,000 super-telephoto. But if you are limited by budget,Please read further before making the decision bird photography lens. And know that your choice of lenses, because you want to get the best opportunities that will have a different cost from 100-1500 dollars.

There are three things to consider when buying a camera lens bird.

Receive the birds nearby. This means they have a sufficiently long focal length can fill the frame with the bird. Usually a minimum of 300mm, 400mm, but it would be much better. TheFocus of the lens to be fast. They do not try to tow shots, while the camera after the right focus to lose. The picture quality must be high. (This is a necessary qualification for each lens you buy).

The best way to know if the goal you want to buy it for bird photography is asking for those who are already happy with their lens configuration. Check the forums or fredmiranda.com camera dpreview. There are many photographers of birds that depend on thesetwo places.


Nature big picture - Choosing the right lens for your digital SLR photography bird

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Friday, September 9, 2011

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

!±8± Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras


Rate : | Price : Too low to display | Post Date : Sep 10, 2011 05:50:08
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New ultra-high ratio zoom lens AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II for use expressly with Nikon DX-format digital-SLR cameras. A number of unique Nikon technologies have been developed for, and applied to, including a high zoom magnification of 11.1x, a Vibration Reduction (VR II) image stabilization system that provides camera shake compensation equivalent to increases in shutter speed by four stops, and a Silent Wave Motor (SWM), as well as a zoom lock switch. Designed expressly for use with Nikon digital-SLR cameras, exceptional image performance is assured. As the compact AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II covers an extremely wide range of focal lengths (18-200mm, equivalent to 27-300mm in 35mm format; a zoom magnification of 11.1x), it offers excellent versatility for various scenes that include portraits and landscapes. The addition of a zoom lock switch allows photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. This lens offers superior optical performance in a compact size of just 77 x 96.5 mm, despite a high zoom magnification of 11.1x. Nikon's Silent Wave Motor (SWM) assures fast and quiet autofocusing. The Vibration Reduction system (VR II) provides camera shake compensation equivalent to increases in shutter speed by four steps. Two Vibration Reduction modes are available. NORMAL VR mode:

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Monday, September 5, 2011

Canon EF-S 55-250mm f/4-5.6 IS Review

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Saturday, August 27, 2011

Overcoming the Canon Digital SLR Crop Factor for wide-angle photography

!±8± Overcoming the Canon Digital SLR Crop Factor for wide-angle photography

The crop factor digital SLR and lens multiplication factor has the effect of cutting the edges of an image and the extension of the downtown area. The result is similar to a telephoto lens or a tele-converter.

The cutting effect occurs because the sensor is on most digital SLR cameras smaller than a 35mm slide or negative. A "frame" 35 mm film is 36 x 24 mm in size, while the sensor Canon Digital Rebel (300D to 500D) and EOS D-series ** (20D to 50D and 7D) isonly 22.5 x 15mm in size. A smaller sensor means for obtaining the image part of the picture are cut off.

Consider this: just look at a presentation on a screen big enough to display the image at full size, then someone replaced the screen with one that is less space for. Now, some of the projected images (top, bottom and sides), "overflow" smaller screen, so what you see now is a cropped version of the image.

You get a similar result when using a digitalSLR camera with a sensor that is smaller than a sheet of 35 mm film - the image through the lens of "overflow" throw the switch. Each space is cut away around the subject, the subject fills the frame more now - but if there is no free space, part of what has been cut off.

This cropping or magnification is an advantage when using a telephoto lens, the result is similar to using a telephoto converter x 1.6.

But for someone to shoot wide angle, theOpposite is the case. Now, super-wide is estimated to create dramatic landscapes and tight indoor shots in semi-useless. A true wide-angle lens like a Canon EF 24 mm is "renewed" by 1.6 times, giving a focal length equivalent of 38.4 mm of your Rebel XSi or 50D.

Fortunately, Canon and others recognized manufacturer of digital SLR lenses they had, the crop factor for photographers to produce than with wide angle lenses.

The result is a series ofLenses designed specifically for digital SLRs with sensors smaller than 35mm (often known as an APS-C size). While the crop factor, even if these objectives, the lenses themselves are "shorter", both physically and focal length, as the appropriate lens for a 35mm camera.

So the goal is the kit Rebels Canon EF-S 18-55mm. This would be classified as "Ultra-Wide" (wide end) for a 35 mm camera, but corresponds to a rather mundane 28.8-88mm - orStandard zoom lens - when used with a 50D or Rebel XSi.

While Canon Rebel and EOS digital SLR cameras ** D as an entry-level or "prosumer" cameras are divided into categories, are treated by professionals, suitable, especially wedding photographers, who have not previously been available through the wide-angle lenses, in particular for using terms of image quality and focal length.

To avoid this, put two Canon lenses that are standouts in its range of EF-S for use on Rebel** D and EOS cameras:

* Canon EF-S 17-55mm f/2.8 IS USM
* Canon EF-S 10-22mm f/3.5-5.6 USM

The EF-S 17-55mm is known for its constant f/2.8 aperture throughout the zoom range, along with image stabilization that makes it especially effective for shooting in low light conditions without flash. It is evaluated by wedding photographers, and also as a portrait and walkaround lens.

Users, such as lenses for its sharp images in all focal lengths, autofocus speed, and versatilityExcellence in low light conditions. Their main task is not like the prices (the most expensive EF-S), weather sealing, and the size and weight.

Still receives a score of 91% of users and is regarded as an objective of higher quality cameras APS-C is recommended.

The EF-S 10-22mm is significant because it is the only true ultra wide angle Canon EOS Rebel and ** D structures. Mount this lens on Canon 40D and is equivalent to a 16-35mm on a 35mm or full frame body,photographers creative opportunities not otherwise possible, with APS-C format cameras.

Users as the target for sharpness, great color, fast autofocus and minimal distortion. They like the price, the plastic construction, and the absence of a designated cap.

But the picture quality is good, compared to the L-series lens from Canon and users give a rating of 90% recommend it as essential for all those genuine wide-angle capabilities of one or EOS Rebel D **Body.

Users of rebel Canon EOS SLR D ** or not the fault of the kit lenses for less than stellar image quaility - alternatives are available (albeit at a price.)


Overcoming the Canon Digital SLR Crop Factor for wide-angle photography

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Monday, August 22, 2011

Which camera is better for surveillance?

!±8± Which camera is better for surveillance?

Abstract

Looking for a digital camera for use in surveillance? Now, technological improvements in CCD and CMOS image sensors and the introduction of new high-definition display, and recording formats certainly led to the introduction of several digital camera models. Due to large differences in features and price ranges, it is more difficult than ever to find the best digital camcorder. Of course, some models may be better thanothers, taking into account the specific application for which the camera was designed and functions that are necessary. Because there are so many factors to take into a selection, and because new models are introduced it is often better guidelines are useful for evaluating the models for a particular application involved determined. Then, as new models are available, they may be based on existing models are compared with the same guidelines.

The purpose of this work is to provide guidelinesthat should be in the evaluation of video cameras for surveillance applications. These applications are those that would be used by military forces personnel, enforcement and special investigative methods for gathering evidence or performing Electronic News Gathering and usually include a remote display. While this information helpful in understanding the specific camera is first important to have your camera purchase decision, you should perform their own researchmodels and based on these guidelines, you can choose the models that are expected to provide the best performance and test their own real-life situations. You can learn that other factors may be important for your specific application and the final decision is a compromise between these other factors.

For monitoring the optical quality of the image is of paramount importance. Camera resolution and sensitivity are the main factors to consider, with a variety of relatedFactors such as image and the pixel field of view, the pixel size and frame rate, image stabilization, optional lenses and interchangeable lens options, integration mode, digital zoom and the resolution of the screen, the user interface, video formats, recording media, manual gain, the infrared mode, video compression, audio inputs, front sight, robustness and video compression.

Camera resolution

The video resolution is influenced by a variety of different camera features.And 'well known that high-definition cameras offer higher resolution than standard-definition formats. It may be noted, however, important that when the camera is used for sequences of images that are then to be considered (to be instead of the camera is simply displayed on the video output in real time) record is the optical resolution and format Registration must be like in determining the ultimate resolution. Considered separately, depends not only on the optical resolution ofArray size of the detector, but also the image and pixel field of view. HD recording format also affects the resolution. Finally, there are other factors that warrant consideration, the resolution can in order to determine the final resolution camera.

Detector Array Size:

It seems that any camcorder uses a slightly different imaging detector. While the format of HD recording can be 1280x720, 1440x1080 or 1920x1080, imaging detectors can vary a bit '. As shown in the table for aSelection of mid-range array detector size cameras can single-chip cameras with arrays as large as 1920x1080 (Canon HF-10 and Sony HDRSR11) three-chip detectors vary with blocks as large as 1440x1080. The physical size of the imaging detector also varies from camcorder to camcorder.

Picture and Pixel Field of View:

As in the attached table (refer to the link below), the combination of the physical dimensions of the camera's imaging detector (eg, 1 / 3 ") shownand the focal length of the objective lens (eg 50mm) results in an image field of view (FOV), which is defined as the angle from which they received information image is defined. There are isolated corner which corresponds to the horizontal and vertical directions, depending on the aspect ratio. For wide-screen video formats, the vertical field of view 9 / 16 of the horizontal FOV. Some camcorders have zoom lenses, where the range of focal lengths from wide angle (with the largest angleFOV) of a telephoto position (with the smallest angle FOV). A smaller field of view leads to a higher magnification image, as would be necessary to see small objects at a distance.

Imaging detectors produce a smaller viewing angle more closely, when used with the same lens with fixed focal length. For example, a 50 mm lens provides a horizontal field of view of 5.5 ° and 3.7 ° when used with a 1 / 2 "and 1 / 3" sensor size, respectively. Based on the change in the size of the detector and focal lengths, l 'Field of view for different cameras varies accordingly. The FOV image can be determined for each camera to a simple formula.

(Also known as the IFOV or IFOV), the FOV pixel is a measure of the resolution of an imaging system. Although related, are the image pixels and FOV FOV and a clear narrow FOV camera with the image is not necessarily a corresponding pixel narrow field of view. As in the table (refer to the link below), while the CanonIt's the smallest camcorder is image and pixel values ​​of the VOC Sony HDR-SR11, despite a small field of view FOV of a pixel of the image that is almost twice as large as the Canon.

A FOV calculator helpful in determining the values ​​of VOC for some cameras candidates. Pixel FOV is calculated as the detection and identification of the recognition of a certain specified range of size of objects within a certain distance.

Recording format:

The difference between the different HDRecording formats is beyond the scope of this document. However, the influence of the recording format on the critical resolution on the quality of the images for surveillance applications and is described here.

As shown in the figure (the reference link below), standard-definition camera (with a ratio of 4:3) video at 480 horizontal lines per frame, resulting in a resolution of 640 x 480 recorded (This is for NTSC. Format PAL with 576 lines per frame, resulting in resolution of the recorded640x576). Wide-screen versions of these standard-definition camcorder with an aspect ratio of 16:9 were available and recorded with some great resolution of 720 x 480 (720x576 for PAL versions). Because of the recording format, would not make sense, high-resolution CCD / CMOS detector larger than 720x480 pixels in NTSC standard definition video camera, except in certain circumstances (such as zoom in view of the central pixel) to have. But with the 'Introduction of high-resolution recording formats, higher resolution detectors sense.

Camcorders sensitivity

High-definition refers to video with a higher resolution than standard definition, and most commonly refers to decisions of both 720 lines / frame or 1080 lines / frame-based. Recording formats can be 1920x1080, 1440x1080 and 1280x720. Consequently, available with either 720 or 1080 line formats for recording images with a resolution of 1280x720 and 1920x1080respectively. It 'important to understand the recording format for video cameras in question. If the resolution of the sensor is necessary to perform the monitoring function, then make sure that the camera records in sufficient resolution.

It would have been in this white paper on digital cameras, the discussion above the recording format would have been sufficient to describe the effect on image quality. Since motion detection, the fact that some camcorders recordRecord "interlaced" video, while other video "progressive" has a certain significance, especially if exercise is important, the type of monitoring is carried out. Otherwise, the relevance of interlaced vs. progressive scan is less important.

Other factors Resolution:

It is worth mentioning that the cameras use three sensors, pixel-shift technology in the horizontal axis was used to make incremental improvements to the resolution of the sensorInterpolation. This complicates the calculation of the optical resolution of something, but can not be a primary factor.

Low light sensitivity camera is usually of paramount importance to surveillance applications, especially in the figure in the shadows, but also the application of a form of night vision, increases in ambient light. The guidelines for the evaluation camcorder are listed below. We recommend starting a review of the following factors: The recommended minimum illumination specific,Diameter lens, F-number, size of the pixel detectors, night vision modules available.

As such, but the criteria under which the comparison includes the following: Lens F-number, pixel size, the suppression of electronic noise, it is clear that performance in low light conditions, as the list of specific cameras because multiple cameras in can produce different results, even if the specifications are similar.

Therefore, when once you have identified a few different cameraproperties of interest and the power you need, it is important to test the low light camera capabilities.

Recommended Specifications Minimum illumination:

Often, performance in low light camera on a sheet specifications. These are usually described as "low sensitivity to light" or "low light" and the result is expressed in lux. The lower the lux rating, the better the camera takes in dim light. However, sinceDetails describe how those in low-light measurements are made is not usually provided, it is extremely difficult to compare these numbers when comparing different models of camera from different manufacturers. (What is the assumed reflectivity of the objects displayed, what is the signal to noise ratio? Brightness? Etc..). As such, the use of these guidelines are often complex and unsatisfactory. Of course it is best to test the same camera. Some sites (such ascamcorderinfo.com) lead them, very severe tests.

Detector pixel size:

Not only the size of the array detector is important, but the physical size of the detector is also important for a number of reasons. In most cases, revealing small physical quantities (eg 1 / 6 "size) are found in less expensive video cameras, while larger detectors (eg 1 / 3" format) camcorder in a higher power can be found. Physically small detectors require smaller, less expensive and slow results in compactness,cameras at low cost. For surveillance applications, is an important consideration that the sensitivity decreases with pixel size. While larger pixels generally have more sensitivity to light and are larger when imaging in low light or at night, the more pixels in a decrease in resolution (in consideration of a particular focal length) result. With larger pixels wide range lead to large arrays and large glasses. So smaller pixels are often preferable. It shouldComparison pulled the camera's sensitivity with smaller pixels into account with other cameras. Pixel sizes for a variety of digital cameras in the table attached (see link below).

Lens diameter, F-number:

As with SLR cameras, the lens F number is very important to have a low light sensitivity camera. All other things being equal, the focus of a lens with a low f-number (eg F1.4), plenty of light-sensitive camera from the sceneImaging detector. A lens with an F number that is twice as high (2.8) only 25% of light to pass through, so that the camera is 25% as sensitive. That's a lot! Be developed for compact cameras with lenses built, sometimes the lens with a relatively high R-series, to maintain consistency still deliver the desired zoom area. In particular, we find that the F-number increases slightly the values ​​of focal length. F-number at the maximum zoomSetting for a series of digital cameras in the table attached (see link below).

Night Vision Module Availability:

Be used for surveillance camera applications, may be the availability of a form of night vision is of great importance, particularly for imaging at a distance and at night. Cameras are not just enough to allow the light sensitivity for imaging in these environments. But with the addition of a night vision module, as shown in ourHttp: / / www.electrophysics.com / Night Vision Web site, the camera's light sensitivity up to ten F-stop. As is known, the resulting images are for night vision green, all colors have disappeared. But, it is reasonable images in starlight and moon are made. Some of these forms of night vision can be viewed by clicking on the link below.

Other factors to consider

In evaluating applications for surveillance cameras have the resolution and sensitivity, in general,Primary considerations may, other factors deserve attention. Some of them are listed below.

Media: "Media" refers to itself, where the video can be stored. Many camcorders use a variety of media types. The following are the most common types of media and some considerations for surveillance applications:

MiniDV Tape - These have been used for many years. The disadvantage is the need to rewind before and, instead of direct access. However, they are known to be quite reliable,They are widespread and robust. In addition, it is often convenient to physical media with surveillance footage instead of a soft copy only could easily be lost or mistakenly. MiniDVD - Even if a family support, perhaps not so convenient as often as the DVD can not be directly used in DVD players expected. Moreover, the inclusion in the highest quality at times to a much lower capacity. Hard Disk Drive (HDD) - These are generally highThe average capacity (eg 120 GB) with long exposure times. Backup is of course important and necessary. Also note carefully when the compressed video is used for storage, to increase the available capacity. Flash Memory - flash memory (such as solid state memory and memory card) is very interesting because there are no moving parts in a compact and efficient. Capabilities are increasing every year.
Image Stabilization:

The image stabilization is a cameraFeature helps to improve the quality of the images during the hand-Video, reduces blurring caused by camera movement. The stabilizer corrects camcorder shake instantly, so you're shooting handheld (as recorded video from a moving car) to telephoto lens are smooth and uniform. This image stabilizers can be either optical or digital design. Manipulating optical image stabilizers usually a prism lens to stabilize the image when projected onto the camera sensor. Digital image stabilizationin the sense motion control and stabilize the camera by taking advantage of other rows and columns of the size of the detector, moving the image in a reasonable amount of some types of movement. Normally, the optical image stabilizers, although more expensive, is preferred because it best to remove the motion blur.

Interchangeable Lens:

Many cameras have a lower cost non-removable lenses. These lenses are compact and highly integrated inBody of the camera has a zoom range of very large, and the ability also macros. Normally, the field of view was selected the built-in zoom, to get the FOV range for most applications the desired effect. However, increases flexibility, offering high-end camcorder with a detachable lens and a bayonet, so that a series of lenses for a wider variation of applications, including the largest and most remote corner of the display can be offered. (See a list of mid-range camcorder with interchangeable lenses here). Fornon-removable lens, if larger or more tele-angle FOV values ​​are required adapters are sometimes offered to change the magnification as desired. But the result is a decrease in optical quality. For authors of video surveillance can change lenses to be a great advantage when the magnification is offered by fixed lens cameras, not enough for the desired application. In addition, mounting the modules developed for night vision lens removable media between the lens andCamera and maintain all the features of the lens', including motorized zoom, auto-iris and image stabilization.

Digital Zoom:

Digital zoom is an important feature for any camera. Since it is not possible, all the imaging detector, the resolution on the camera viewfinder or display digital zoom allows appreciating provider for details on the viewfinder, which would otherwise have gone unnoticed, were subsequently analyzed for digital images. It is also usefulThey note that a detector with an array of pixels and digital zoom More players more, as you carry a camera with a detector smaller without the effects of pixelization.

User Interface:

Each camera operator confirms that the accessibility features can be of some importance. Drill-down through sub-menus to access sub-menu to perform routine functions is not a desirable thing to do while in the area.

IR mode:

Some cameras have a sensitivity ofNear-infrared allows the use of an infrared lamp to illuminate the scene. For a variety of reasons, these lamps are not suitable for many monitoring situations. Date For one thing, usually in the spotlight with the camera is not in lighting design suitable distances of interest. In addition, they can be captured with most other cameras and CCD cameras.

Manual Gain:

For low light situations, some cameras offer a manual mode gainthat allows the user to manually adjust the gain in video picture, typically up to +18 dB. Although grainy, for surveillance applications, video images is usually a marked improvement has not won or even car-derived versions.

Shutter speed:

If you keep the standard frame rate (eg 60Hz) is not necessary, since the objects under observation does not move quickly, the frame rate and shutter speed detector can be reduced (eg 1 / 3 sec), sothat each pixel of the light sensor is integrated on a longer time, which they are exposed. In dark environments, the selection of the longer integration time is acceptable enough to provide a usable image at dusk.

External audio inputs:

At the onset of sounds like a pure optical to prevent outsiders, it is important to note that the audio quality and access to external audio inputs important for authors of video monitoring. The built-in microphonenot always good at taking pictures from afar, or if you need something more directional filter out ambient noise.

Viewfinder:

In carrying out covert surveillance, with a camcorder's viewfinder is sometimes important to prevent the light from the LCD brighter.

Strength:

Another compromise is the serious lack of robustness in camera hardware - causing the switches and controls brittle, stress videographer. If you arethe range of potentially dangerous conditions, do not want to be the game with a few controls and LCD panels, which removed too easily.

Price:

Of course the price is always a consideration when evaluating the many, many models of cameras available today. But what should these guidelines show that very often the most expensive camera can not be the best for a particular application. Understand what features are best suited to your application for consideration ofCamera price range.

Completion

Technological improvements in CCD and CMOS image sensors and the introduction of new high-definition display, and recording formats have led to the introduction of several digital camera models. Guidelines were provided in the evaluation of video cameras for surveillance applications.

For monitoring the optical quality of the image is of paramount importance. Camera resolution and sensitivity are the main factorsto consider, with a variety of factors, including the image and the pixel field of view, the pixel size and frame rate, image stabilization, optional lenses and interchangeable lens options, integration mode, digital zoom and display resolution, user-friendly interface, video formats, recording media, manual gain, the infrared mode, video compression, audio inputs, targeted compression, robustness and video.

While these are useful references for understanding important CamcordersSpecifications before buying your decision camcorder to make their research available models and on the basis of these guidelines, you can choose the models that are expected to provide the best performance and test their own in real life situations. You can learn that other factors may be important for your specific application and the final decision is a compromise between these other factors.

For all information and images that refer to this showThe article, CLICK HERE

DISCLAIMER: We have every attempt to provide accurate information available. However, we can not have liability for any errors or inaccuracies. If you identify errors or need help, please contact us directly. Thank you.


Which camera is better for surveillance?

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Friday, August 19, 2011

Olympus Zuiko Digital ED 14-42mm f/3.5-5.6 Lens for Olympus Digital SLR Cameras

!±8± Olympus Zuiko Digital ED 14-42mm f/3.5-5.6 Lens for Olympus Digital SLR Cameras

Brand : Olympus | Rate : | Price : $149.95
Post Date : Aug 19, 2011 18:36:59 | Usually ships in 1-2 business days


SO)OLYMPUS 14-42MM F3.5-5.6 ED LENS

More Specification..!!

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Tuesday, August 16, 2011

Vivitar Series 1 - Telephoto zoom lens - 650 mm - 1300 mm - f/8.0-16.0

!±8±Vivitar Series 1 - Telephoto zoom lens - 650 mm - 1300 mm - f/8.0-16.0

Brand : Vivitar
Rate :
Price :
Post Date : Aug 17, 2011 01:05:40
Usually ships in 1-2 business days




This package includes all of the following items:

1. Vivitar 650-1300mm Telephoto Zoom Lens for Canon

2. Vivitar Series 1 Carrying Case

3. UV Filter

4. CPL Filter

5. 72" Monopod

6. T-Mount Adapter

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Wednesday, August 10, 2011

Sigma 120-400mm F/4.5-5.6 DG OS HSM - super telephoto zoom lens with a small budget

!±8± Sigma 120-400mm F/4.5-5.6 DG OS HSM - super telephoto zoom lens with a small budget

Super telephoto zoom lens make the heart rate "Pitter-pat" a little '. We are a lens that has a long focal length at the end of more than 300 mm base. So you can get up close and personal with just about any topic, and some who are very shy creatures and not social.

The Sigma 120-400mm f/4.5-5.6 DG OS HSM is a goal. The good news is that it is selling for less than $ 1K. Compare prices for popular Canon lenses in the sameFocal length arena, the Canon 100-400mm f/4.5-5.6, which tips the economic balance of more than $ 15K and you have a bargain.

But the good news is not over yet. If you have a camera with a "sensor crop", you are shooting at the focal length equivalent of 192-640mm. This is a Canon APS-C sensor camera like the 60D or a Rebel T3i. At this length you can still see the nose hairs of a Dallas Cowboys running back from the end zone, or if you're a lover of birds, springModels in a Carolina Chickadee 100 meters.

The Sigma 120-400mm lens is ideal especially for photographers who are looking for a lens for shooting sports, wildlife and even street photography (the photographer to remain completely anonymous with regard to photo opportunities). Other types of photography that are the target buyers of super telephoto lenses, nature and landscape in particular cases. Obviously this is not a wide angle lens, but if you wanton the moon or photograph Mt. McKinley from a distance, this lens to fill the bill.

An important feature of the Sigma lens you do not want to overlook is HSM. This stands for Hyper Sonic Motor, determines how quickly the focus locks on the issue. HSM is awesome, especially for fast moving subjects (as indicated above, the Chickadee) tend.

Some notes on the expectations from this or another lens with telephoto lenses. The lenscomes with a tripod collar for a reason. Use it on a tripod when possible. Yes, it's "OS" has - Sigma version of image stabilization, the lens and perform quite well when the light is good. But the greater the focal length, the harder it is to keep the camera steady. The movement is amplified only slightly less than the focal length.

Also, try to get a shutter speed at least equal to the focal length you are shooting. For example, if a larger focal length300 mm, you want to keep about a 1 / 300 sec shutter speed to blur to a minimum. You can increase the ISO of the camera, to help get a faster shutter speed.

This objective was very popular at the camera store. It has a 4.5 rating of 5, which is almost as high as the Canon L lenses. And just a reminder, is about $ 500 cheaper.

As for the negatives are concerned, the most frequent comment is that it is difficult. The other comment that had appeared several timesthat this "slow to crawl." a

All this is like a good alternative to the more expensive super telephoto lenses, especially if the price is a problem (and the price is not always a problem?).


Sigma 120-400mm F/4.5-5.6 DG OS HSM - super telephoto zoom lens with a small budget

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Tuesday, August 9, 2011

Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

!±8± Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

Brand : Canon | Rate : | Price : $154.99
Post Date : Aug 09, 2011 07:35:08 | Usually ships in 1-2 business days

This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers.

  • Focal Length & Maximum Aperture: 55-250mm F/4-5.6
  • 12 Elements In 10 Groups, Including One UD-glass Element
  • Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
  • Closest Focusing Distance: 3.6 Ft./1.1m

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Saturday, August 6, 2011

Tamron announces two new telephoto lenses: Live PMA Interview

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